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	<title>Harold &#34;Doc&#34; Edgerton &#187; Stories</title>
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		<title>Drops &amp; Splashes</title>
		<link>http://edgerton-digital-collections.org/stories/features/drop-of-water</link>
		<comments>http://edgerton-digital-collections.org/stories/features/drop-of-water#comments</comments>
		<pubDate>Sat, 14 Nov 2009 13:54:53 +0000</pubDate>
		<dc:creator>tristano</dc:creator>
				<category><![CDATA[Feature stories]]></category>

		<guid isPermaLink="false">http://edgerton-digital-collections.org/?p=31554</guid>
		<description><![CDATA[by Joyce Bedi Doc originally developed the electronic stroboscope to study problems in large electrical motors. But his first subject outside the engine room was water flowing from a faucet. Perhaps this ignited his lifelong interest in the behavior of drops and splashes of all sorts. Drops and splashes were among Edgerton’s favorite subjects. For [...]]]></description>
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<p><i>by Joyce Bedi</i></p>
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<div class="lft">Doc originally developed the electronic stroboscope to study problems in large electrical motors. But his first subject outside the engine room was water flowing from a faucet. Perhaps this ignited his lifelong interest in the behavior of drops and splashes of all sorts.</p>
<p>Drops and splashes were among Edgerton’s favorite subjects. For decades, he sought the “perfect” drop. While images like the milk drop hitting a red plate are among Doc’s best known, there was a serious side to these photographs as well.</p>
<p>An entrepreneur at heart, Edgerton campaigned for the strobe’s use among his MIT colleagues, members of local industries, and professional and amateur photographers.  In this way, he gained a broad range of experience with the abilities and deficiencies of the strobe and fed this knowledge back into further experimentation. Within a few years of putting the strobe on the market, he had a long list of companies and government agencies that had hired him to look into one problem or another. </p>
<p>For example, in 1939 he collaborated with the U.S. Soil Conservation Dept. on a study of soil erosion.  In his notebook he wrote, “Germeshausen and Mr. Laws have been taking 1000/second movies of drops striking soil for the last several days.  The drops of H2O come from the ceiling and hit samples below.” He added an image a few pages later about how the movies were created.</p>
<p>But Doc wasn’t all business all the time. His sense of play led to some unusual experimental set-ups.  In 1936, he put his camera and strobe at the base of an elevator shaft, and then photographed drops released through a hole in the elevator floor—from the first, second, third, fourth, fifth, and eighth floors! When his kind of curiosity and sense of wonder was combined with a keen understanding of photography and electrical engineering, the result was a blurring of the line between technology and art.</p>
<p>Studying the behavior of drops and splashes added to knowledge about surface tension and had both scientific and commercial applications. But Doc’s fascination with such a simple event as a falling drop of liquid is testament to his belief that learning is a lifelong occupation. A gifted teacher, Edgerton was a keen student as well. “I have always empathized with the student who sees new discoveries and knowledge that were not anticipated flowing from the laboratory,” he wrote in 1987. “There is no such thing as a ‘perfect’ result or a complete study of a phenomenon. For example, although I’ve tried for years to photograph a drop of milk splashing on a plate with all the coronet’s points spaced equally apart, I have never succeeded.”</p>
<p>Browse additional notebook pages related to <a href="http://edgerton-digital-collections.org/?s=drops+%26+splashes">&#8220;drops of water&#8221;</a>.
</div>
<div class="rght"><a href="http://edgerton-digital-collections.org/galleries/museum/HEE-SC-08811"><img src="http://webmuseum.mit.edu/images/DIAthumbs/HEE-SC-08811.T.jpg" alt="" width="120" /> <br />High-speed photography, milk drop &#8220;Coronet&#8221;</a></div>
<div class="rght"><a href="http://edgerton-digital-collections.org/notebooks/nbT-5_036"><img src="/notebook_jpegs/nbalpha-thumb/nbT-5_036-thumb.jpeg" alt="" width="120" /> <br />Lab Notebook T-5, Page 27</a></div>
<div class="rght"><a href="http://edgerton-digital-collections.org/notebooks/nbT-5_107"><img src="/notebook_jpegs/nbalpha-thumb/nbT-5_107-thumb.jpeg" alt="" width="120" /> <br />Lab Notebook T-5, Page 84</a></div>
<div class="rght"><a href="http://edgerton-digital-collections.org/notebooks/nb09_254"><img src="/notebook_jpegs/nb0n-thumb/nb09_254-thumb.jpeg" alt="" width="120" /> <br />Lab Notebook 09, Page 144</a></div>
<div class="rght"><a href="http://edgerton-digital-collections.org/notebooks/nb07_141"><img src="/notebook_jpegs/nb0n-thumb/nb07_141-thumb.jpeg" alt="" width="120" /> <br />Lab Notebook 07, Page 80</a></div>
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		<title>Seeing in the Dark</title>
		<link>http://edgerton-digital-collections.org/stories/seeing-in-the-dark</link>
		<comments>http://edgerton-digital-collections.org/stories/seeing-in-the-dark#comments</comments>
		<pubDate>Tue, 10 Nov 2009 15:28:57 +0000</pubDate>
		<dc:creator>lisanti</dc:creator>
				<category><![CDATA[Feature stories]]></category>
		<category><![CDATA[Stories]]></category>

		<guid isPermaLink="false">http://edgerton-digital-collections.org/?p=31180</guid>
		<description><![CDATA[by Joyce Bedi By 1932, Edgerton had turned his experimental strobe apparatus into a commercial product. People outside MIT began to recognize the possibilities of Edgerton’s new tool. On the eve of World War II, the army asked Edgerton to build a strobe for night aerial reconnaissance photography. In the summer of 1939, Maj. George [...]]]></description>
			<content:encoded><![CDATA[<p><i>by Joyce Bedi</i></p>
<p>By 1932, Edgerton had turned his experimental strobe apparatus into a commercial product. People outside MIT began to recognize the possibilities of Edgerton’s new tool. On the eve of World War II, the army asked Edgerton to build a strobe for night aerial reconnaissance photography. </p>
<p>In the summer of 1939, Maj. George W. Goddard, a veteran pilot of World War I, paid an unexpected call on Edgerton and his colleagues at the Strobe Lab. Goddard asked Edgerton if a strobe lamp could be built that would be powerful enough to take photographs at night from a height of a mile. Edgerton did some calculations and gave Goddard a tentative “yes.” “We can do that,” Doc said. “We haven’t got it in the house, but we can do that.”</p>
<p>The strobes used to photograph events in Boston Garden provided a technical foundation for Edgerton’s electronic flash for military night aerial photography.<br />
Our knowledge of almost seven years ago indicated that the required kind of flash lamp could probably be built. But there was also a good probability that the lamp would explode during its first, and only, operation because of the intense heat and high pressure developed when the flash occurred. Even an optimist couldn’t feel too encouraged about the prospect of success.<br />
But Edgerton and his team overcame these initial obstacles. The first experimental unit was mounted in an Army Air Forces B-18 bomber and successfully tested over Boston in April 1941. Further development and testing was done in collaboration with Wright Field (now Wright-Patterson Air Force Base) in Dayton, Ohio, before trials and training in England.</p>
<p>The system’s most famous test came on the evening of June 5, 1944, when the night reconnaissance planes took off for Normandy. They were followed shortly by a flying army in C-47s, headed for the D-Day invasion of France. The photographs taken that night showed no movement of enemy forces; the German troops were taken completely by surprise. “The clouds were down to about a thousand feet and the flash bombs couldn’t be used at all. They were designed to work at 10,000 feet,” Edgerton recalled. “So those pictures were useful, they were used all during the war.” </p>
<p>Knowing what an enemy is doing under cover of darkness is important in wartime. Before Doc developed his aerial flash, night reconnaissance photos were made with flash bombs, which are similar to the type of fireworks that explode with a boom and a blinding flash of white light. Flash bombs had a number of limitations: they were dangerous to handle; they used fuses that were preset for a specific altitudes, so pilots couldn’t navigate under cloud cover; and the noise from them often had citizens on the ground running for cover from what they believed was a bombing raid. The electronic flash took care of these shortcomings, though it created some new ones of its own. The main problem to be solved was how to separate the camera and flash as much as possible in the plane to prevent fogging of the film.</p>
<p>Further Reading<br />
Harold Edgerton, Electronic Flash, Strobe, pp. 286-294.<br />
Harold E. Edgerton, “Night Aerial Photography,” Technology Review 29, no. 5 (March 1947): 273.<br />
Nebraska Educational Telecommunications/NOVA, “Edgerton and His Incredible Seeing Machines,” 1985.<br />
<a href='http://mit.edu/6.933/www/Fall2000/edgerton/www/main.html'>Harold E. Edgerton in World War II, 6.933 class project, 2000</a></p>
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		<title>Drawing of Strobes on Under Water Vehicle (Bathyscaphe)</title>
		<link>http://edgerton-digital-collections.org/stories/features/notebook-sampler-5</link>
		<comments>http://edgerton-digital-collections.org/stories/features/notebook-sampler-5#comments</comments>
		<pubDate>Mon, 09 Nov 2009 19:25:36 +0000</pubDate>
		<dc:creator>lisanti</dc:creator>
				<category><![CDATA[Feature stories]]></category>

		<guid isPermaLink="false">http://edgerton-digital-collections.org/?p=20853</guid>
		<description><![CDATA[This drawing shows the arrangement of four strobe lights (and their internal circuitry) attached to an arm of Cousteau’s bathyscaphe. Edgerton not only shows where the camera will be positioned, but also includes sketches of some of the creatures he imagines photographing at great ocean depths. Notebook 22, page 8 November 24, 1953]]></description>
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<a href="http://edgerton-digital-collections.org/notebooks/nb22_012"><br />
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<p>
This drawing shows the arrangement of four strobe lights (and their internal circuitry) attached to an arm of Cousteau’s bathyscaphe.  Edgerton not only shows where the camera will be positioned, but also includes sketches of some of the creatures he imagines photographing at great ocean depths.</p>
<p>Notebook 22, page 8</p>
<p>November 24, 1953
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		<title>Shadow Photography (Notebook Page)</title>
		<link>http://edgerton-digital-collections.org/stories/features/notebook-sampler-4</link>
		<comments>http://edgerton-digital-collections.org/stories/features/notebook-sampler-4#comments</comments>
		<pubDate>Mon, 09 Nov 2009 19:23:53 +0000</pubDate>
		<dc:creator>lisanti</dc:creator>
				<category><![CDATA[Feature stories]]></category>

		<guid isPermaLink="false">http://edgerton-digital-collections.org/?p=20851</guid>
		<description><![CDATA[To study microscopic aquatic organisms, like these freshwater copepods, Edgerton used shadow photography – he placed a drip of water directly on the unexposed film and flashed a strobe to capture a silhouette of the creature. Following standard scientific practice, Edgerton was careful to note all of the variables, like exposure time and type of [...]]]></description>
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<a href="http://edgerton-digital-collections.org/notebooks/nb32_009"><br />
<img src="/wp-content/uploads/NOTE05BN.png"></a></div>
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<p>
To study microscopic aquatic organisms, like these freshwater copepods, Edgerton used shadow photography – he placed a drip of water directly on the unexposed film and flashed a strobe to capture a silhouette of the creature.  </p>
<p>Following standard scientific practice, Edgerton was careful to note all of the variables, like exposure time and type of film, in this experiment.</p>
<p>Notebook 32, page 5</p>
<p>August 30, 1975
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		<title>Flash!  First Book of Edgerton Photographs</title>
		<link>http://edgerton-digital-collections.org/stories/features/notebook-sampler-3</link>
		<comments>http://edgerton-digital-collections.org/stories/features/notebook-sampler-3#comments</comments>
		<pubDate>Mon, 09 Nov 2009 19:20:57 +0000</pubDate>
		<dc:creator>lisanti</dc:creator>
				<category><![CDATA[Feature stories]]></category>

		<guid isPermaLink="false">http://edgerton-digital-collections.org/?p=20848</guid>
		<description><![CDATA[In 1939, Edgerton published his first book of photographs, titled “Flash!” Here Doc (left) poses with Flash! And International News Service photographer George Woodruff, J, Winston Lemen of the Eastman Kodak Co., and colleague Herbert Grier. Doc notes that the photograph was taken with his portable flash unit at Boston’s Parker House Hotel. Notebook 11, [...]]]></description>
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<a href="http://edgerton-digital-collections.org/notebooks/nb11_091"><br />
<img src="/wp-content/uploads/NOTE04BN.png"></a></div>
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<p>
In 1939, Edgerton published his first book of photographs, titled “Flash!”  Here Doc (left) poses with Flash! And International News Service photographer George Woodruff, J, Winston Lemen of the Eastman Kodak Co., and colleague Herbert Grier.  Doc notes that the photograph was taken with his portable flash unit at Boston’s Parker House Hotel.</p>
<p>Notebook 11, page 44</p>
<p>February 28, 1941
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		<title>1939 World’s Fair in New York City</title>
		<link>http://edgerton-digital-collections.org/stories/features/notebook-sampler-2</link>
		<comments>http://edgerton-digital-collections.org/stories/features/notebook-sampler-2#comments</comments>
		<pubDate>Mon, 09 Nov 2009 19:16:31 +0000</pubDate>
		<dc:creator>lisanti</dc:creator>
				<category><![CDATA[Feature stories]]></category>

		<guid isPermaLink="false">http://edgerton-digital-collections.org/?p=20845</guid>
		<description><![CDATA[At the 1939 World’s Fair in New York City, Kodak set up a kiosk for taking high-speed photographs with a strobe. In the darkened booth, a large sheet of glass waited for a baseball, shot from a cannon, to smash it into smithereens. At the moment of impact, the strobe fired. Visitors to the exhibit [...]]]></description>
			<content:encoded><![CDATA[<div style="float:left; margin:10px 20px 20px 0;"><a href="http://http://edgerton-digital-collections.org/notebooks/nb10_016"><img src="/wp-content/uploads/NOTE02BN.png"></a></div>
<div style="float:left; width:300px;">
<p>At the 1939 World’s Fair in New York City, Kodak set up a kiosk for taking high-speed photographs with a strobe.  In the darkened booth, a large sheet of glass waited for a baseball, shot from a cannon, to smash it into smithereens.  </p>
<p>At the moment of impact, the strobe fired.  Visitors to the exhibit inserted their cameras in peepholes cut in the kiosk, opened the shutter, and captured the flying shards of glass on film, along with a sign that read “Photographed at 1/100,000 second!”</p>
<p>Notebook 10, page 2</p>
<p>June 14, 1939
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		<title>Lighting and Camera on Plane (Notebook Page)</title>
		<link>http://edgerton-digital-collections.org/stories/features/notebook-sampler</link>
		<comments>http://edgerton-digital-collections.org/stories/features/notebook-sampler#comments</comments>
		<pubDate>Mon, 09 Nov 2009 19:02:57 +0000</pubDate>
		<dc:creator>lisanti</dc:creator>
				<category><![CDATA[Feature stories]]></category>

		<guid isPermaLink="false">http://edgerton-digital-collections.org/?p=20834</guid>
		<description><![CDATA[The key to good nighttime aerial photographs was separating the camera and the flash as much as possible. If the flash went off too close to the camera, only the flash would be photographed. These sketches show some ideas on ways to install the lighting and photography equipment in an A-20 airplane to achieve the [...]]]></description>
			<content:encoded><![CDATA[<div style="float:left; margin:10px 20px 20px 0;"><a href="http://edgerton-digital-collections.org/notebooks/nb11_009"><img src="/wp-content/uploads/NOTE01BN.png"></a></div>
<div style="float:left; width:300px;">
<p>The key to good nighttime aerial photographs was separating the camera and the flash as much as possible.  If the flash went off too close to the camera, only the flash would be photographed.  </p>
<p>These sketches show some ideas on ways to install the lighting and photography equipment in an A-20 airplane to achieve the needed separation.</p>
<p>Notebook 11, Page 01</p>
<p>September 19, 1943</p>
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		<title>About Doc&#8217;s Notebooks</title>
		<link>http://edgerton-digital-collections.org/stories/about-docs-notebooks</link>
		<comments>http://edgerton-digital-collections.org/stories/about-docs-notebooks#comments</comments>
		<pubDate>Thu, 05 Nov 2009 16:15:21 +0000</pubDate>
		<dc:creator>lisanti</dc:creator>
				<category><![CDATA[Feature stories]]></category>
		<category><![CDATA[Stories]]></category>

		<guid isPermaLink="false">http://edgerton-digital-collections.org/?p=17941</guid>
		<description><![CDATA[Story about Doc&#8217;s notebooks goes here.]]></description>
			<content:encoded><![CDATA[<p>Story about Doc&#8217;s notebooks goes here.</p>
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		<title>Aerial Reconnaissance</title>
		<link>http://edgerton-digital-collections.org/stories/features/aerial-reconnaissance</link>
		<comments>http://edgerton-digital-collections.org/stories/features/aerial-reconnaissance#comments</comments>
		<pubDate>Fri, 30 Oct 2009 21:48:07 +0000</pubDate>
		<dc:creator>lisanti</dc:creator>
				<category><![CDATA[Feature stories]]></category>

		<guid isPermaLink="false">http://edgerton-digital-collections.org/?p=17725</guid>
		<description><![CDATA[When America entered the war, the US government very quickly discovered what Compton already knew: the union of MIT&#8217;s scientific resources and the nation&#8217;s specific military needs would prove to be mutually beneficial. In a sense the school itself was drafted into service. Like every corner of MIT, the Strobe Lab was highly mobilized to [...]]]></description>
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When America entered the war, the US government very quickly discovered what Compton already knew:  the union of MIT&#8217;s scientific resources and the nation&#8217;s specific military needs would prove to be mutually beneficial.  In a sense the school itself was drafted into service.</p>
<p>Like every corner of MIT, the Strobe Lab was highly mobilized to serve the military.  Major Goddard of Wright Field, Dayton, Ohio visited Edgerton during the summer of 1939 and asked Edgerton to consider the problem of nighttime aerial photography and the need for Edgerton&#8217;s control circuits and powerful flash.  </p>
<p>This soon opened a whole new line of applications for Edgerton to explore and a whole new value network for his technology.  Without doubt, Edgerton&#8217;s imagination and free spirit as well as the technical curiosity, which was highly nurtured by the atmosphere and people of MIT, made him highly successful during the war years.</p>
<p>Both Compton and Killian were faced with the challenge of reversing the direction of research from military applications to pure research.  Compton started a very strict re-deployment for peace, which affected Edgerton as well as Germeshausen and Grier.  Their unofficial partnership was asked to change into a corporation serving mainly the government, specifically the Atomic Energy Commission.</p>
<p>In his unpublished autobiography, Edgerton narrates this decision as:</p>
<p>    After the war, the then Atomic Energy Commission (AEC) requested MIT to set up a comprehensive test system at Eniwetok Island with Grier in charge.  MIT said &#8220;No,&#8221; why not have the partners (Edgerton, Germeshausen and Grier) form a corporation to do the job? This was done and as a consequence, EG&amp;G, INC. was started in 1947.8</p>
<p>Bernard O&#8217;Keefe, a later partner to EG&amp;G, also talks about the formation of the corporation as a result of MIT&#8217;s focus on pure academic research in his book Nuclear Hostages, 1983:</p>
<p>    At the time, most of the MIT faculty was back in force, ready to resume teaching and nonmilitary research.  MIT and other universities had had a gutful of military research.  When the MIT director of research programs heard about the proposed tenfold expansion of our little project [firing of nuclear bombs], he balked, saying that MIT was trying to get out of military research, not into it.  He suggested to Grier he and his partners form a corporation to take over the government business and move it off campus.  Edgerton and Germeshausen did not care much one way or the other, but Grier thought it was a great idea, so the corporation Edgerton, Germeshausen and Grier Inc, was formed. (p.126-7)</p>
<p>But despite the incorporation of the company, Edgerton was still as active on the MIT front as he used to be.  His desire to teach and discover more did not go away and was even more supported by the variety of things he worked on during the war.  The scale of his projects had increased immensely.  </p>
<p>Read more:  <a href="http://mit.edu/6.933/www/Fall2000/edgerton/www/main.html">Harold E. Edgerton in World War II</a> by Roozbeh Ghaffari, Ozge Nadia Gozum, Katherine Koch, Amy W. Ng, Hua Fung Teh, and Peter Yang.
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<a href="http://edgerton-digital-collections.org/galleries/museum/hee-nc-45103"><img src="http://webmuseum.mit.edu/images/DIAthumbs/HEE-NC-45103.T.jpg" alt="" /><br />Man adjusts Night Photo Lamp in Tail of A-26 Airplane, 1945</a>
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		<title>Introduction</title>
		<link>http://edgerton-digital-collections.org/stories/features/fathoming-the-oceans-1-introduction</link>
		<comments>http://edgerton-digital-collections.org/stories/features/fathoming-the-oceans-1-introduction#comments</comments>
		<pubDate>Fri, 30 Oct 2009 17:02:12 +0000</pubDate>
		<dc:creator>lisanti</dc:creator>
				<category><![CDATA[Feature stories]]></category>

		<guid isPermaLink="false">http://edgerton-digital-collections.org/?p=17700</guid>
		<description><![CDATA[by Claire Calcagno In addition to exploring terrestrial subjects, Doc Edgerton was intrigued by the unique engineering challenges of underwater research. In order to &#8220;see&#8221; underwater, Doc had to design tools that could withstand enormous and varying pressure, stay protected from salt contamination, and record information through remotely operated instruments that could be interpreted by [...]]]></description>
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<p><i>by Claire Calcagno</i></p>
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In addition to exploring terrestrial subjects, Doc Edgerton was intrigued by the unique engineering challenges of underwater research. In order to &#8220;see&#8221; underwater, Doc had to design tools that could withstand enormous and varying pressure, stay protected from salt contamination, and record information through remotely operated instruments that could be interpreted by scientists in their research vessels at the surface. Doc developed underwater cameras, lights and deep-sea recording instruments for imaging and detection efforts at the cutting edge of oceanographic research. His underwater instruments, which used light as well as sound to penetrate the dark depths, were applied to many disciplines including geophysics and physical oceanography, to marine biology and underwater archaeology.</div>
<div class="rght"><a href="http://edgerton-digital-collections.org/galleries/museum/hee-sc-08027"><img src="/wp-content/uploads//hee-sc-08027.png" alt="" width="120" /> <br />Maneuvering instruments.</a></div>
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<div class="lft">Doc’s particular expertise with the generation and precise control of high-energy short pulses – whether for stroboscopes, high-speed flashes or for modulator switches for atom bombs – were turned towards the problems of underwater acoustic waves, to improve and shorten the sound pulse length and thereby improve resolution.  His sound-based tools included so-called pingers, thumpers, boomers, sub-bottom profilers, sparkers and side scan sonar.</div>
<div class="rght"><a href="http://edgerton-digital-collections.org/galleries/museum/hee-sc-03048"><img src="http://webmuseum.mit.edu/images/DIAmed/HEE-SC-03048.L.JPG" alt="" width="120" /> <br />Sonar equipment</a></div>
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<div class="lft">Limited accessibility &#8211; hard to reach areas &#8211;   raised operating costs astronomically; thus oceanographic expeditions frequently featured several overlapping scientific missions, such as geologic mapping and shipwreck investigations. Doc collaborated with scientists from around the world, including ocean explorers  Jacques-Yves Cousteau, Edwin Link, and top scientists from the Woods Hole Oceanographic Institution, which has always had a close affiliation with MIT. Doc’s international reputation and promotion of scholarly exchanges led to his invitation in 1969 to join a Soviet oceanographic team investigating the mid-Atlantic Ridge. </div>
<div class="rght"><a href="http://edgerton-digital-collections.org/galleries/museum/hee-sc-00717"><img src="http://webmuseum.mit.edu/images/DIAmed/HEE-SC-00717.L.JPG" alt="" width="120" /><br />On the CALYPSO</a> </div>
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<div class="lft">Ever the inspiring teacher, Doc didn’t limit himself to the scientific or academic communities: public outreach was an important part of his mission. Through collaborations with organizations such as the National Geographic Society and the New England Aquarium (which maintains an active Edgerton Research Laboratory), Edgerton communicated with the broadest audiences. Edgerton’s research exemplifies his philosophy as a scientist and engineer: his belief in the primacy of hands-on field research; his appreciation for the potential to make serendipitous discoveries through careful observation; his openness to failure as inspirational challenge.<br />
Friends claimed that Doc must have seen more new things for the first time than any other person in the world.</div>
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<a href="http://edgerton-digital-collections.org/galleries/museum/HEE-NC-45103"><img src="/wp-content/uploads//hee-sc-09113.png" alt="" width="120" /><br />Doc with students.
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